Auction Closed . His Pago-Pago expressionist paintings have been his signature series which have already been seen across the world. This exhibition, which features over 80 artworks as well as texts and archival documents, explores Pago Pago’s incarnations over the years. Abdul Latiff Mohidin, atau dikenal luas sebagai Latiff Mohidin (lahir 1941) adalah seorang pelukis beraliran modernis, pematung, penulis, dan penyair Malaysia.Ia terkenal karena karya-karyanya yang dihimpun di bawah aliran "Pago Pago" di antara tahun 1964 hingga 1968. Lukisan 'Pago-pago' adalah karya Latiff Mohidin yang paling sinonim dengan dirinyasebagai penggiat seni lukisan ekspresionisme. Pago-Pago, Bangkok (1), a production of a split between a sketch and a painting of extraordinary vitality and force, exhibits Latiff's urgent and rapid brushstrokes. ; T K Sabapathy; Singapore Art Museum.] Latiff Mohidin, ‘Pago Pago II’, 1965, oil on canvas. One of the exhibition’s most constructive contributions is its timeline, which expounds the artist’s life, influences and significant encounters. Latiff Mohidin, Pago Pago II, 1965, oil on canvas, 33 5⁄8 × 22 7⁄8". To illustrate this, the exhibition’s didactic panels emphasise that the term ‘Pago-Pago’ itself was derived from both ‘pagoden’, the German word for pagoda, and the colloquial way of pronouncing ‘pagar pagar’, the supporting structures of Minangkabau architecture in Sumatra. The late art laureate was the first Malaysian to be honoured with a solo exhibition at a major European gallery. With works created between 1949 and the early 1970s, the presentation narrates the evolution of Mohidin’s renowned Pago-Pago imagery, which is distinguished by its biomorphic forms and pointed shapes resembling fishing boats, shells and stupa-pagodas. Latiff was born in Lenggeng, Negeri Sembilan, Malaysia and received his formal primary education at Kota Raja Malay School in Singapore. Pago-Pago, Bangkok (1), a production of a split between a sketch and a painting of extraordinary vitality and force, exhibits Latiff's urgent and rapid brushstrokes. Karya yang berjudul 'Kampung I' itu dilukis pada tahun 1951 dan kemudian disertakan dalam pameran solo pertamanya dua tahun kemudian di Sekolah Melayu Kota Raja yang terletak di daerah Kampong Gelam dahulu. Posted 16th … Karya Latiff Mohidin akan dipamerkan di Paris, beri peluang saksikan lukisan antara pelukis terpenting Asia Tenggara Take the ending of the series: Latiff puts the date at 1969, the year Sino-Malay riots broke out in Kuala Lumpur, on 13 May. Latiff was born in Lenggeng, Negeri Sembilan, Malaysia and received his formal primary education at Kota Raja Malay School in Singapore. PROVOKE (1965) depicts a confrontation between three totems. View in Augmented Reality. Pagodas II, Pago-Pago Series Latiff Mohidin 1964. For example, the second section, ‘My Fever is Getting Worse,’ details Mohidin’s artistic practice in Europe. 20 talking about this. Ithaca, N.Y: Cornell University Press. For more information, visit https://www.nationalgallery.sg/see-do/programme-detail/234334908/latiff-mohidin-pago-pago. London: Allen and Unwin. Painted in 1969 The other God’s own creation, ever spreading, establishing, sinking deep into the ground (looking for water).’ This war between the up and down, civilisation and nature, can be seen in his sketches of the Angkor temples, but they also reflect a general quality in his Pago Pago paintings: their lively sense of movement and an interplay between the manmade and the organic. Latiff Mohidin (né en 1941) est un peintre et poète moderne majeur en Malaisie. … During the late 1960s the totems soften and open up into looser, sinuous forms, such as the arterial tubes intertwining in Two Standing Figures (1968) and the juicy stems crisscrossing in Tropical Growth (1968). “Mohidin evokes the consciousness that emerged through [his travels accross Europe and Southeast Asia] with a phrase: ‘Pago Pago’, a manner of thinking and working that complicated Western modernism through the initiation of dialogues with other avant-garde thinkers in Southeast Asia”, explained Shabbir Hussain Mustafa. (76 x 63.5 cm.) L’exposition présente la période de formation de l’artiste dans les années 1960 pendant lesquelles il voyage en Europe et en Asie du Sud-Est. Pago-Pago to Gelombang : 40 years of Latiff Mohidin : 15 April-8 May 1994. There is a synthesis of cultures that marks Pago Pago as something not entirely Southeast Asian or German, which is contrary to what past critics used to believe. ‘Pago Pago’ is a term coined by Malaysian artist-poet Latiff Mohidin during the late 1950s to describe the cosmopolitan yet regionally rooted spirit with which he made art. (33 1/8 x 43 1/2 in.) Blue Landscape, 1996 Sale Date: May 29, 2016. The term Pago Pago came out of a fusion of East and West. Pago Pago (1960-1969)» is an extension of the innovative project «Re-framing Modernism: Painting from Southeast Asia, Europe and Beyond», co-produced with the Centre Pompidou and presented at the National Gallery Singapore in 2016, with a crossover approach to modern creation in Europe and Southeast Asia. Pagoda II, Pago Pago Series, 1964, Oil on canvas, 100 x 102.5 cm Artist performance. She has a soft spot for the visual and literary arts and can be found at the latest exhibition openings. “It was not a Eureka moment,” says Mustafa, “but a gradual process.” When seen together, the presentation of newspaper clippings, artist’s sketches and writings help visitors comprehend how living in Berlin exposed Mohidin to a broad range of new material. “Critics struggled with Latiff’s imagery,” says Mustafa. The palette of sand, red and turquoise is warm and sun-drenched – the effect of light from a different place. The most important decision at the Centre Pompidou might have been the placement of Latiff Mohidin’s work on the same floor as the museum’s permanent collection (the exhibition was the first by a Southeast Asian artist in … Latiff Mohidin, Pago Pago, 1966, ink and wash on paper, 14 x 22 cm. It then travelled to ILHAM Gallery, Kuala Lumpur in late 2018. This consisted of Western paintings, Dadaist artwork, and Khmer artefacts, the last of which inspired his visual use of horns and serrated edges in his portrayal of boats and figures in Berlin. Lukisan ini adalah lukisan Ia mengwujudkan kesedaran bahawa betapa pentingnya abstrak yang mencerminkan pengertian … “They thought that if it was not some kind of abstract expressionism from Germany, then it must be a kind of ‘local’ motif. Like many artists from the region, Latiff Mohidin created a series that was moulded through his complex interactions with a multiplicity of cultures. Generally, the works before 1965 include more recognisable totemic structures. Drawing connections to his time in Singapore, the apt title refers to a text he wrote in the 1960s, where he speaks of a fever that followed him from Malaya to Europe and back. ABDUL LATIFF MOHIDIN (Malaysian, B. Writer. Two have hooks and curved blades coming out of them, evoking complicated weaponry and ‘primitive’ art, motifs that could be drawn from his own cultural ancestry or a byproduct of his exposure to Western modernism – which speaks to the cheerful syncretism of his style. ‘Latiff Mohidin: Pago Pago’ is an important exhibition for Southeast Asian art history because it exemplifies how categories of art need not be confined to geographical boundaries. Latiff Mohidin. He currently resides in Penang, where his home and studio are located. This metaphor can be understood as a generative force, or in Mohidin’s words, “the heat of shifting from one media to another and always trying to create something exciting.” He also refers to it as his “encounter with European Modernism and how it simultaneously clashes and fuses with Asian Modernism in Pago Pago.” To further explore this idea, visitors can listen to a speech by Malaysian artist Ismail Zain, who directly inspired the title with his line, “In my entire life, I had never known Latiff without this fever.”. Besides the art, another pleasure of the show is encountering Latiff’s writing, abstracted and printed on the wall texts, not least for its insights into his paintings. Latiff Mohidin: Pago Pago (1960–1969) features over 70 paintings, drawings, and prints, supplemented with archival documents, and situates him in dialogue with his European peers. 1941, MALAYSIA) ... His early series of paintings, Pago-Pago (1964 - 1969) and Mindscape (1973 - 1974) claimed critical success and added intellectual weight and substance to the painting scene in Malaysia and Southeast Asia. Matriliny and migration : Evolving Minangkabau traditions in Indonesia. It was seen as a compelling family of pictures in 1973, when the Balai Seni Lukis Negara (as it was then known) staged a retrospective exhibition of the artist in Kuala Lumpur, spanning about 20 years of his art. Pago-Pago (1964) Latiff mula terkenal menerusi lukisan berasaskan pagoda, hingga nama jolokannya dalam kalangan seniman ialah Latif Pago-Pago. 1994 – Pago-pago to Gelombang, 40 years of Latiff Mohidin, Singapore Art Museum, Singapore 2012-2013 – Pameran 60 Tahun Latiff Mohidin Retrospective Exhibition, National Art Gallery, Kuala Lumpur 2014 Latiff Mohidin, Seascape, Recent Paintings, 2012-2014, The Opera Gallery, Singapore Stephanie Yeap. Ia adalah lanjutan daripada pameran Reframing Modernism: Painting from Southeast Asia, Europe and Beyond oleh Galeri Nasional Singapura pada 2016 yang bertujuan mempromosikan karya seni Asia Tenggara ke peringkat global. Pago-Pago – titre d’une série d’œuvres célèbres – est une formule inventée qui évoque la conscience née de ces voyages. Ayahnya adalah seorang perantau dari Tiku, Sumatera Barat. Presenting a comprehensive account of his formative years, it uncovers the deep cultural and literary system within Singapore’s Kampong Glam. View more lots. The historical backdrop for this exhibition is the early 1960s when Latiff Mohidin began his formal art training at the Hochschule für Bildende Künste in West Berlin. National Gallery Singapore Singapore. Or they could be weird monsters. Latiff Mohidin. Durkheim, E. (1976). Although the foetal composition of Pago-Pago could be traced back to the artist's work in Berlin … Image courtesy of National Gallery Singapore. ‘Latiff Mohidin: Pago Pago’ is open to the public at National Gallery Singapore from 27 March to 27 September 2020. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. Pengkarya : Abdul Latiff Mohidin Tajuk : Pago Pago Tahun : 1964 Media : Cat Minyak... Tema : Gambaran alam metafora Gaya : Pelukis melukis dengan gaya ekspresionis bentuk- bentuk organik 'biomifik'.Bentuk - bentuk ini sukar ditafsirkan Nilai: Satu gambaran catan yang merakamkan kehidupan di sekitar Indo-China Koleksi Balai Seni Lukis Negara . One of his driving questions was, ‘How does one advance the mediums of painting, drawing and writing to suit local milieus outside Europe and America?’ A sense of friendly regionalism is also present, given his acquaintances with other Southeast Asian artists. This includes personalizing content. View Latiff Mohidin’s artworks on artnet. Kunjungannya ke Thailand dan Laos, tegasnya Indo-China, bagi saya adalah tuah mencurah-curah. Latiff Mohidin comes from Negeri Sembilan in Lenggeng but he actually started his education in Singapore. Having missed out on that one, I was determined to see a similarly intense-looking but more youthful poster of Latiff Mohidin staring down on the people of Paris. ‘Latiff Mohidin: Pago Pago’ is productive in using networks as one way of situating the artist in relation to the history of global modernism. [Latiff Mohidin. From the series “Pago Pago,” 1960–69. Latiff Mohidin, Pago Pago, is on view at National Gallery Singapore until 27 September 2020. It was composed after he saw Bavarian farmers ploughing with tractors and he speaks of a real sense of tension that exists between people of different cultures. It positions Pago Pago as a Southeast Asian brand of modernism, described by the curators as ‘a way of thinking and working that sought to challenge the dominance of Western modernism at that time’. Average Price YOY Growth 2018 - … Malam Merah (Red Night) (1968), which features angry brushstrokes and a central subject being riven against a red background, was allegedly inspired by his experiences travelling through Northern Thailand during the Vietnam War. Most notably, it features Mohidin’s hand-drawn map of Kampong Glam as he experienced it, which he produced specially for this show. PROGRAM-PROGRAM PAMERAN. https://www.nationalgallery.sg/see-do/programme-detail/234334908/latiff-mohidin-pago-pago. Latiff Mohidin’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. Lot Essay. ‘Maybe. Following two successful showings at both the iconic Centre Pompidou in Paris as well as the Ilham Gallery in Kuala Lumpur, travelling exhibition Latiff Mohidin: Pago Pago will finally land a spot back home at the National Gallery Singapore this Mar 27-Sep 27.. As for the repeated ‘pago’, his Minangkabau roots come into play: the traditional houses of this community in West Sumatra are adorned with carvings called pagar pagar, pronounced as ‘pago pago’. LATIFF MOHIDIN (b. Malaysia 1941) Pago Pago signed with monogram 'AL' (lower right) oil on canvas 30 x 25 in. Pameran bertajuk 'Latiff Mohidin: Pago Pago' itu menampilkan lebih 80 karya seni beliau, termasuk sebuah karya yang dilukis pada usia 10 tahun. Well-established in the canons of Southeast Asian modern painting and Malay literature, the artist was dubbed ‘boy-wonder’ after his first solo exhibition at the age of ten. An experience I failed to have four years ago — because of transport links — was the sight of Syed Ahmad Jamal’s staring out in poster form onto the streets of Zagreb. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. national gallery singapore Southeast Asian art Abdul Latiff Mohidin Latiff Mohidin. Kampung I oleh Latiff Mohidin… Siri Pago Pago - Latiff Mohidin KL Lifestyle Art Space. “I was asked to write something magical,” says Mohidin. Recognised as one of the key modernist artist of South-east Asia, Latiff Mohidin’s contribution to global modernism unfortunately remains understudied. Installation view of ‘Latiff Mohidin: Pago Pago.’ Image courtesy of National Gallery Singapore. Kehidupan awal. Stephanie Yeap. Comprehensive show at National Gallery Singapore By Vivyan Yeo, “you will never understandthe rising of the dawnbetween the buffaloes’ legscold and stuntedthe black waters in the rice fieldsreflects in the eyes of the old folksfor centuries”-   Excerpt from ‘You Will Never Understand’ by Latiff Mohidin. Pago Pago (1960-1969) est conçue comme une micro-histoire qui replace l’un des principaux modernistes d’Asie du Sud-Est dans un dialogue avec ses pairs occidentaux. (T.K. “This exhibition will explore all sorts of … The elementary forms of the religious life / introduction by Robert Nisbet. The Latiff Mohidin: Pago Pago exhibition gives you a glimpse into the life and practice of Malaysian modernist painter and poet Latiff Mohidin, … KUALA LUMPUR: It is often a challenge to put a value to art, but artists such as Abdul Latiff Mohidin have proven that Malaysian artworks are able to fetch high prices. ‘Some say Pago Pago froze in America,’ he writes. Latiff Mohidin, ‘PROVOKE’, 1965, acrylic on board, 90 x 120 cm. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. Latiff Mohidin, oil on canvas. Pago Pago evolved with Latiff’s travels. Latiff Mohidin: Pago Pago (1960-1969) runs at Centre Pompidou until May … The middle and the late 60s were the times when Latiff was developing his first series of thematic works namely the Pago-Pago series. Indeed, elements of Latiff ’s work fit into such a narrative, as there is some decolonial pushback to his art, especially after his exposure to European modern-art movements in Germany, where he studied during the 1960s. ‘Latiff Mohidin: Pago Pago’ is an important exhibition for Southeast Asian art history because it exemplifies how categories of art need not be confined to geographical boundaries. During a visit to an ethnological museum in Berlin, he saw ancient artefacts from Asia and South America. Latiff Mohidin : Pago Pago (1960-1969). Another strength of ‘Latiff Mohidin: Pago Pago’ lies in its strategic organisation of visual and written material, which allows visitors a chance to deeply understand Mohidin’s life. Telaga (Lot 3458), on the … It was seen as a compelling family of pictures in 1973, when the Balai Seni Lukis Negara (as it was then known) staged a retrospective exhibition of the artist in Kuala Lumpur, spanning about 20 years of his art. He is also a poet who has published several volumes of poetry. Early life. 1938) Pago-Pago signed and dated 'Abdul Latiff 1969' (on the reverse) oil on canvas 84 x 110.5 cm. Latiff Mohidin (B. By continuing to use our site, you accept our use of cookies, revised Privacy. Latiff Mohidin. From the series “Pago Pago,” 1960–69. Although it would have been interesting to see more of his three-dimensional works, this solo inclusion is understandable as his sketches and paintings make up most of the Pago-Pago series. Pengkarya : Abdul Latiff Mohidin Tajuk : Pago Pago Tahun : 1964 Media : Cat Minyak... Tema : Gambaran alam metafora Gaya : Pelukis melukis dengan gaya ekspresionis bentuk- bentuk organik 'biomifik'.Bentuk - bentuk ini sukar ditafsirkan To offer an explanation for the use of the term, Latiff remarked "I merely coined the word from an amalgam 'pagoda' and the slang 'pagar' which isn't fence but the wooden beams across old Malay houses. The Pago-Pago artworks are considered as one of the most important bodies of work because there is something inquisitive in these paintings – a quest to embody both the physical and spiritual aspects of Southeast Asia. It is included at the very beginning of the space and powerfully frames the entire display of works. You begin to hear Berlin in these canvases, and to understand how Latiff Mohidin tapped into the crackling energy of the metropolis in the 1960s. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. national gallery singapore Southeast Asian art Abdul Latiff Mohidin Latiff Mohidin. 2014 | Latiff Mohidin, Seascape, Recent Paintings, 2012-2014, The Opera Gallery, Singapore; Latiff Mohidin, … Pago Pago (1960-1969) est conçue comme une micro-histoire qui replace l’un des principaux modernistes d’Asie du Sud-Est dans un dialogue avec ses pairs occidentaux. 1 of 5. Sign up for exclusive insights into the business of art in Asia today. The Pago Pago series, created between 1960 and 1969. An experience I failed to have four years ago — because of transport links — was the sight of Syed Ahmad Jamal’s staring out in poster form onto the streets of Zagreb. Lukisan 'Pago-pago' adalah karya Latiff Mohidin yang paling sinonim dengan dirinyasebagai penggiat seni lukisan ekspresionisme. Pago-Pago Series (Siri Pago - Pago), 1966 Sale Date: October 15, 2016. Latiff Mohidin’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. ilham.lmstudio@gmail.com +6012 237 7211 +6019 314 7211 - whatssap only Latiff Mohidin. The exhibition succeeds in breaking down the progression of Pago-Pago from beginning to end. Courtesy the artist and National Gallery Singapore Pago Pago evolved with Latiff’s travels. 1994 | Pago-pago to Gelombang, 40 years of Latiff Mohidin, Singapore Art Museum, Singapore 1998 | Rimba, Galeri Petronas, Kuala Lumpur 2007 | Voyage/Kembara, Galeri Petronas, Kuala Lumpur, Malaysia What strikes me more forcefully about Pago Pago is that it is a sustained feat of self-fashioning. Artist’s alternative names: Abdul Latiff Mohidin Her plays have been presented in Singapore and London by Teater Ekamatra, The Necessary Stage and Bhumi Collective. This exhibition premiered at the Musée national d’art moderne, Centre Pompidou in Paris in 2018 under the title Latiff Mohidin: Pago Pago (1960–1969). Featuring more than 80 art pieces which includes writings, photographs and short films by Malaysian artist Latiff Mohidin, … Auction Closed. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Seen as a step toward addressing this gap, the catalogue […] Lukisan 'Pago-pago' adalah karya Latiff Mohidin yang paling sinonim dengan dirinya sebagai penggiat seni lukisan ekspresionisme. It specifically elaborates on what Ismail Zain called a “vernacular cosmopolitanism,” something that Mohidin possessed as an artist and poet. Early life. 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